The Jimmy Savile affair - part of a wider pattern...

 

Posterity will judge us by how we treat the vulnerable

 

 

The sheer scale of what is being unfolded in the press about Jimmy Savile's alleged sexual abuse of vulnerable people is both shocking and depressing.  It is scarcely possible to believe that those responsible at Broadmoor, Stoke Mandeville and the BBC were entirely unaware of what was happening.

 

What makes the whole saga doubly depressing, however, is that this comes after a sequence of events over the past few years that have damaged beyond repair our trust in the pillars of society.  Arguably it all started with the disclosures about paedophilia - first in the Catholic church and then in children's homes.  The most depressing aspect of this, for cradle Catholics such as myself, was the way in which the Catholic hierarchy had covered up what they knew.  It destroyed my confidence in the socalled princes of the church.

 

Then there was the phone-hacking scandal.  We all knew that the tabloid press were devoid of morals, but the subsequent Leveson enquiry uncovered rather too cosy a relationship between the press, MPs and the police.  Just as our confidence in the police was being eroded, the Hillsborough scandal broke, revealing the full extent of the police cover-up.

 

We live now in a largely post-Christian society.  The Christian framework of values, which has been the backbone of our society for centuries, has been swept away.  However, without a backbone the body collapses.  Tinkering with well-meaning reforms and human rights does not appear to be a solution.  These are constraints externally imposed, rather than beliefs intimately held.  In this changing scheme of things it is the vulnerable in our society - the poor, the old, the disabled - who are most at risk.  When their guardians - the clergy, the police and government - are shown to be lacking in the essential qualities they need, the future is bleak.

 

Antony Mair

Back to chaos...

No, not Afghanistan - the Shoebox kitchen

 

Eleven years or so ago I extended the back of my London house and renewed the kitchen.  It involved a miserable life for a number of weeks, cooking on a camping stove and washing-up in a bathroom basin.  Then we moved to France, and the building works were so radical that we moved out for eight months.  Now - plus ça change etc. - we find ourselves back in chaos again, with the replacement of the kitchen in the Hastings Shoebox.

 

When I bought the house I knew that the kitchen was the weak point.  We'd originally wanted to knock through the chimney breast into the dining-room at the front of the lower ground floor, making an open living and dining area: but there was no hope of getting that past the listed building authorities and in any event it would have meant removing the whole chimney breast, which, we soon realised, probably kept the house up. 

 

We hadn't reckoned with the kitchen layout being illegal, however.  A small range cooker had been placed in the chimney breast, too close to the walls and in particular too close to two electric power points.  So, never ones to do things by halves, we had to go the whole hog and rip it all out.  Again, however, we had not reckoned with the need to dry-line the walls with lath and plaster - yes, gentle reader, these ancient buildings have to be treated with respect - involving a period of five or six weeks for the three coats of lime plaster to dry out, one after the other. 

 

As if this weren't enough, most of the other rooms in the house also need some dry-lining work.  Aargh!

 

The silver lining in this cloud was the news from Paul's tenants in the Matchbox next door that they would be moving out at the end of October.  So we shall be able to transfer through there for a couple of months.  The fly in that ointment is that some work is needed on the Matchbox windows, so we may be peering through scaffolding in our more comfortable quarters.  Roll on 2013...

 

Antony Mair

 

 

Living like squatters in the dining-room

 

 



Always a weekend event in Hastings!

From the sublime...

 

You may well - and rightly - have the impression that there is a succession of small events and celebrations in this seaside town.  On Saturday we had the beginning of what is called "Hastings Week" - a series of events that culminates in the UK's biggest bonfire, a little ahead of November 5.  On Saturday and Sunday there was a classic car rally on the Stade: Saturday was a fairly small business when I strolled down in the afternoon, though this Chevrolet struck me as being particularly magnificent. 

 

Sunday was another matter: the space was packed with English and American cars, polished and lovingly tended by fanatical owners.  The older generation were out in full force, reminiscing about the cars of their youth - and I have to confess that I engaged in a fair amount of this myself.  Looking after and restoring old cars may have its nerdy side, but - as I recall a young criminal saying once in another context - "it's better 'n' beatin' up old grannies, ennit?"

 

Antony Mair

8 October 2011

 

 

...to the (faintly) ridiculous!

 

 

 

 

 







The English press and the euro crisis

The appropriate attitude to the global economic crisis?

 



Since the economic storm hit us all, I have been intrigued by the differing attitudes of the English - or I should say Anglo-Saxon - press and their French colleagues.  As far as the latter are concerned, France is basically ok and a collapse of the euro is more or less unthinkable - or, if thinkable, not desirable.  Whereas the Anglo-Saxons regard the collapse as inevitable, displaying a rather unattractive Schadenfreude whenever there is an adverse turn of events that makes things more difficult on the Continent.  Similarly, the Anglo-Saxons regard the French economy as floating on air, while the UK is basically solid.  On this point, however, the French usually confine themselves to commenting that the UK is in no better a situation than France.

This last is the one point that appears accurate.  The two countries have a similar debt/GDP ratio.  In principle France could resolve its problems by slashing the public sector, which sounds easy for a country with one of the highest levels of government costs in the EU.  In practice this is far from easy, and could cause massive social unrest.  The UK has a leaner public sector, so there is no easy solution, and tax revenues are less than anticipated.  The austerity vs. growth conundrum is similar in both countries.  And while France is exposed financially in providing support to the southern European states and Ireland through the central EU mechanisms, it also has the richer EU partners to lean against. 

My own concern is that, in each of Greece, Spain, Portugal, Italy and France there are profound cultural changes that have to occur before I can see any material improvement.  And I don't see how that is going to happen.  For example, in Greece the professional classes - which count the majority of MPs among their number - habitually avoid (possibly evade) their taxes.  Nothing much is to be gained by cutting salaries and pensions of civil servants while this sector of the population effectively escapes having to join in the pain.  In Spain, Italy and Portugal cronyism is the name of the game, blunting competition.  In France the burden of bureaucracy on business has to be eased in order to free up the entrepreneurial energy that is being stifled in the private sector.

I have to say that I don't see how any of these issues are going to be satisfactorily tackled.  In the circumstances, I think that our dog Oscar, pictured above, has found the appropriate solution: find a patch of sun, stretch out and go to sleep!

Antony Mair   

Slavery - still relevant?

 

Houses designed by Decimus Burton, Saint Leonards-on-Sea

 

 

There seems to have been a recurring theme of slavery in my reading matter recently.  It started with my reading André Brink's fine novel Phylida, based on an episode in his family's past.  It is set in South Africa in the 1830s, when slavery was about to be abolished.  André Brink is an author I admire in any event, and this novel was longlisted for the Man Booker prize, so I read it as part of an exercise in ploughing through the longlisted novels as a whole.  It is a fine book: Phylida is a slave who dares to say no.  The final part of the novel has some of the grandeur of myth.

 

Phylida's ability to resist oppression was based in part on the legal framework being put in place for the emancipation of slaves.  I am not sure that the same advantage was available to the twenty-five slaves who were the subject of a legal transfer I came across a week or so ago, dating back to 1791, and executed by one of my mother's forebears as part of a marriage settlement in the West Indian island of Guyana.  I had no idea that my great-great-grandfather had employed slaves - but had I given some thought to the fact that he had plantations in the West Indies I suppose it would have been obvious.  It made me wonder how much prosperity in nineteenth century England derived from this source.

 

We would all like to think that slavery is something not only barbaric but remote from our existence.  However, a newspaper article yesterday highlighted new forms of slavery that are causing concern in the present day, on our doorstep: forced labour of immigrants and people with learning difficulties.

 

Thinking about it, I came to the conclusion that the attitude of mind that enables people to exploit their fellow human beings as slaves is only an extreme form of the attitude of superiority adopted by many human beings towards their fellows.  This reminded me, on a lighter note, of a story I heard recently of an incident some forty years ago, involving a wealthy couple who were having some major building work undertaken on their house.  Tea was sent out to the builders in jam jars, on a tray.  Outraged, one of the builders took the tray back and said to the mistress of the house "You folk may drink your tea from jam jars but where we come from we use cups so we'll go off and have our tea down the caff".  Collapse of stout party...as in the case of André Brink's Phylida, it takes courage to say no. 

 

Antony Mair

Stormy weather

Someone asked me recently what my daily routine was: I had a little difficulty in replying, but no difficulty in describing the start of the day, since after breakfast and a bath the dogs need to be taken out for their morning walk.  This usually involves a stroll down the steps at the end of the street to Rock-a-Nore, which is the road that runs between the cliffs and the fishermen's huts.  It peters out, after a couple of hundred yards, in a public carpark, beyond which is a rock-strewn shingle beach with sand at low tide.  I particularly like this, since on clear days you get a view east to Dungeness and west to Beachy Head.

But views have been blotted out by weather over the past couple of days: a gale force wind has been blowing and squally showers have been beating against the sea-facing wall of the Shoebox.  The storms have come up from the southwest, shot up to the North of England and today come back for another look at our part of the world.  Today we had to abandon any idea of our usual walk and take a calmer route up Tackleway and round via All Saints Street - but even so my ancient cap was blown away by the wind.

Everyone's moaning about the weather, of course: but it has given rise to some wonderful skies and changes in the light.  My little camera is a humble affair, but these two snaps give you an idea.

Antony Mair

Coastal Currents

A studio beach hut, Saint Leonard's

 

The annual visual arts festival called "Coastal Currents", which extends from 8 to 23 September, has just finished.  Covering a variety of events in Hastings and Saint Leonard's, it is yet another example of local initiative that keeps both locals and tourists happy. 

 

It is not surprising, given the quality of the light in this remarkable town, that there is a high number of artists in the population.  "Coastal Currents" gives them the opportunity to show their work, not only in specially arranged exhibitions in art galleries and other dedicated spaces, but also in the privacy of their studios, which they open to the public.

 

I was sorry to have been so taken up with other things over the 15th and 16th that I was late in trying to catch up with events: but last Saturday I took the dogs for their afternoon walk to the beach huts that are tucked away at the western end of Saint Leonard's.  Some of these are used by artists as studios, and they were showing work varying from gift cards through paintings to glasswork.  Balzac and Oscar got more than their fair share of attention, and it is not ideal trying to look at artistic creations in confined spaces with two small animals in tow, but it made for a great afternoon.  Unfortunately the heavens opened the following day, so I cowered indoors, thus failing to visit the many other studios that were open.  Next year I shall be better prepared.

 

Antony Mair

 

 

Open studio, Rock-a-Nore, Hastings